Director, Cinematographer, Co-Editor, & Producer
Troy Vetri
Originally from Fort Myers, Florida, New York-based filmmaker Troy Vetri makes his feature directorial debut with Pigeon Religion. Coming from the world of skateboarding, Troy first developed his voice by documenting street culture. This background in outsider communities shaped his approach to filmmaking, a craft further refined at Valencia College’s film technology program under the leadership of the legendary Ralph Clemente. Today, Troy's work focuses on character-driven stories that find the lyrical within the overlooked. As a cinematographer, he captures the fine details and emotional textures that bring a narrative to life.
See more of Troy’s work at TroyVetri.com
David Dominguez, Director of Photography
David Dominguez is a documentary cinematographer from Philadelphia that currently lives in Brooklyn. His work focuses on intimate, character-driven stories about everyday people who are often overlooked. Some of his most prominent titles have been featured in the Tribeca Film Festival, DOC NYC, and The Atlantic. When he's not working on films, David enjoys spending time with his two cats, Bobby and Phil, and riding his bicycle around the city.
Evan Halleck, Editor
Evan Halleck is a comedy-focused editor who has cut over 150 commercials for brands like Toyota, McDonald’s, and Bloomberg. Pigeon Religion marks his first feature as editor, building on a career that also includes visual effects credits on films such as Everything Everywhere All at Once, Self Reliance, Sasquatch Sunset, and Peacock’s Based on a True Story.
Currently, Evan is finishing post on his feature directorial debut, a comedic-philosophical documentary titled Mummified and/or How I Learned to Stop Worrying and Hoard Brendan Fraser's Finest Hour (& 55 minutes), look out for it in the festival circuit in 2026.
Jenny Catherall, Producer
Jenny Catherall is a New York–based filmmaker and creative producer with over 15 years of experience in digital video for organizations including Clean Slate Initiative, National Domestic Workers Alliance, Simons Foundation, and TED. In addition to her work with nonprofits and foundations, she has directed independent short documentaries, including Big Party on the Other Side, an award-winning film that premiered at the Palm Springs International Film Festival. She is also passionate about supporting other creatives as a producer, offering expertise in logistics, creative development and festival and acquisition outreach.
Dustin Wadsworth, Colorist at Company 3
Dustin Wadsworth joined Company 3 as a Color Assist in 2015 and honed his craft, learning from some of the company’s top artists. After coloring a number of shorts and music videos on his own, he began officially color grading as a Company 3 Colorist in 2018 on short-form work and on acclaimed features, including Spiral Farm (premiered at Slamdance 2019) and Shakedown (recipient of the Best Documentary Award at this year’s Berlin Film Festival). Since then, some of Dustins recent work includes Severance, The White Lotus, and Bruce Springsteen’s Deliver Me From Nowhere.
Appraiser Studio, Score
Appraiser Studio, founded by composer Ari Balouzian and music producer Ryan Hope, are known for their collaborations with documentary filmmaker Lance Oppenheim, including Spermworld, Some Kind of Heaven, and Ren Faire. Their work blends emotional nuance with rhythmic precision, creating scores that heighten the intimacy, humor, and tension of character-driven nonfiction storytelling.